Aurangzeb

Aurangzeb
Direction: Atul Sabharwal
Actors: Arjun Kapoor, Rishi Kapoor, Jackie Shroff, Sasheh Agha, Prithviraj
Rating: **

Back in the '60s - when he made classics such as Hum Dono (1961) and Ram ur Shyam (1967) -
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Bollywood version: Aurangzeb
It must have been an exciting experience for moviegoers to see the other face of his ego actor on the screen. But to make a dual role pivotal point in the film in 3D era, which is as familiar with it as it is with a tub of popcorn, requires either reverse cliches or mind-blowing story. Unfortunately, does not provide Aurangzeb.
Instead, the debutant director Atul Sabharwal invest a lot of time and a lot of the characters in the construction of intrigue through the first half. In the second group, the story meanders burdened and come away even sputter characters with several gunshot wounds, cough and die after suggesting the absence of a remarkable instinct for survival.

The setting is the jungle of real estate in Gurgaon. A family of corrupt police officers wanted to shoot down a family of gangsters who are in collusion with politicians and builders. Something you would not believe. So come last conducted discreetly to the fore and brings a coincidence is unlikely - and gangs (Jackie Shroff), son of Yashwar-fat, Ajay, Vishal look alike (both Arjun Kapoor).



Title of the film may have led you to expect Machiavellian protagonist etched delicious. Instead, the central character suffers from cliches - of character and circumstance - and lose unpredictable. Arjun, however, holds his own. Never felt, was a monument although of (excuses the script only one like him to visit the salon), and boy can emote. That his two characters are not distinct enrollment is more in the script enough, and less to him.

Character that rises beyond expectations is that of DCP Ravikant (Rishi Kapoor). Kapoor is the choice of performers, playing top cop without hesitation self-serving.

In a typical gesture is unfortunate that the old school Bollywood, women have little or no voice. Swim in a bikini and gyrate to seduce the hero and the audience, or play terrorists scheming house.

At the same time, characters die foolishly, and not before speaking dull and one-liners. At one point, trying to face Mexico in a room full of investors in the real estate sector to be serious, but it seems to caricature the nest. The film has that in common with a piece of debris. It continues until the bullets are gone. We do not hope to get